"Carol": A Gorgeous LGBTQ+ Romance
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.

Soon after he lands in America, Ali, a Muslim man from Pakistan, begins his search for his estranged wife, Nadia. On his journey, Ali meets with Teppei, a Japanese traveller hitchhiking his way across America, and Sarah, a local trailer park girl, who help him in his search. The three travellers succeed in finding Nadia, who, to Ali’s dismay, is living a new life in Phoenix with another man. Ali spends the rest of his stay in America with Teppei and Sarah, anxiously wondering where his life is leading. In the brief time they are together, the three companions commit to helping one another. Ali, Teppei and Sarah begin a new journey, to find their own individual identities and in the process they find each other. Big River is a road movie, a tale about the borderless realm of friendship and its ability to transcend culture.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
'The Worst Person In The World' follows a part of life I don't see often portrayed on-screen: extended adolescence.
It is the attention to detail that makes Wolfwalkers resonate more than Luca for Queer representation
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.
Is God Is tells a harrowing tale of retribution, sisterhood, and gender based violence. Far too eerie and clever to be an ordinary slasher, but too gory and merciless to be an ordinary thriller, Is God Is will appeal to the highbrow horror lover with generational trauma anywhere.