Matt goes to work every day to find himself taunted by fellow employees. In need of a fresh start, Matt leaves Atlanta and returns to his roots in Scarsdale, New York. Matt soon links up with his eccentric childhood friends and notices that the old town is now shot to hell. Matt and his gang take on an array of perplexing ordeals to redeem the town along with his grandfather's cheese shop. Will Matt and the boys win the town back like real Ivy leaguers or will they live up to being "Big Losers"?
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
For those that are unaware, the trailer for the new Civil Rights movie Till has been out and it's absolutely amazing for all to see.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
Weird has a name and it's, Weird Al. 'Weird: The Al Yankovic Story' makes you want to "Eat it" then "Beat it".
