'INTERNET' - MiamisFF Review
A man invents the internet with the help of an otherworldly force. But he soon learns that not all is what it seems. A delightful sequence of images for a delightful fictional story about what lies behind.

27-year-old American-born Omi Vaidya, a struggling actor in L.A., miraculously lands a dream role in the Bollywood film "3 Idiots". Curious to better understand the world of Bollywood, four of Omi's buddies armed with cameras fly to Mumbai to document his big premiere. Within a week of release, "3 Idiots" skyrockets to box office success, becoming the most successful Indian film in history and transforming Omi into an overnight megastar. But being a national sensation in India is not all glitz and glamor. Aside from the language barrier, Omi struggles with the pressure of his newly acquired fame and continuing his career momentum while trying to maintain a healthy domestic life back in Los Angeles. Set against the backdrop of Mumbai, Big in Bollywood is a film about what it is to be successful in show business, seen through the eyes of Omi's best friends, who witness his career transformation firsthand.
A man invents the internet with the help of an otherworldly force. But he soon learns that not all is what it seems. A delightful sequence of images for a delightful fictional story about what lies behind.
Presenting a bold and unapologetic narrative focused on strong Muslim female characters, the show beautifully incorporates punk rock as a feminist movement in their lives.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.