Abominable is the story of a yeti in Hong Kong who escapes imprisonment and makes its way to the roof of an apartment building to hide. The apartment building happens to be the home of a young girl, Yi, who has busied herself with odd jobs to avoid dealing with the recent death of her beloved father. When Yi discovers and befriends the yeti, she takes it on a journey home to Mount Everest. Yi and the yeti are joined by her neighbors, Jin and Peng, as they outrun and outsmart the British bad guys, Dr. Zara and Burnish who want the yeti, dead or alive, to display as proof of its existence.

There are a few articles that succinctly explain the lack of, and need for, Asian representation in film — Ada Tseng’s The complex history of Asian Americans in movies, from the silent era to ‘Crazy Rich Asians’ and Thessaly La Force’s Why Do Asian-Americans Remain Largely Unseen in Film and Television?

I love Disney, and I’m sure you do too. Disney has given us such classics as The Lion King, Beauty and the Beast and Aladdin. But Disney has turned those movies and others into live action because, apparently, they care more about making money than anything else. With all these remakes, it makes one wish for the days of hand drawn animation. While Disney has kicked that form of animation to the curb, there are still studios utilizing it.

Cartoon Saloon was founded in 1999 by Tomm Moore, Paul Young and Nora Twomey. The three studied together at Ballyfermot College of Further Education in Dublin. There, they begun working on their first animated film, The Secret of Kells.