The New ‘Old’ Hollywood that is ‘Babylon’
‘Babylon’ is an exhilarating journey one has to brace themselves for

Gösta Eriksson, a hairdresser, buys a car from used-car dealer Bertil Planåker. But Gösta soon discovers that the car is a wreck. Planåker won't give him his money back, in fact he denies ever having seen Gösta. Gösta's brother Rolle is released from prison and promises to help him. They form an investment company, Parabola, and convinces Planåker to invest a lot of money in it. Planåker has a lot of shady business colleagues who also invest their money. Gösta's and Rolle's scam becomes much bigger than they had bargained for.
‘Babylon’ is an exhilarating journey one has to brace themselves for
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
"Thunder Road" presents the grief that comes from a family member taking their own life.
Dashing in December follows the tried and true outline of a traditional holiday romance, with a less traditional middle-aged gay couple as the film's romantic focus.
"65" (2023) is the latest Dino flick to try and answer "what else can we do with dinosaurs?"
For one widowed father and his five kids, an extraordinary gift will change their lives forever.