
Gösta Eriksson, a hairdresser, buys a car from used-car dealer Bertil Planåker. But Gösta soon discovers that the car is a wreck. Planåker won't give him his money back, in fact he denies ever having seen Gösta. Gösta's brother Rolle is released from prison and promises to help him. They form an investment company, Parabola, and convinces Planåker to invest a lot of money in it. Planåker has a lot of shady business colleagues who also invest their money. Gösta's and Rolle's scam becomes much bigger than they had bargained for.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.
A South Korean romantic drama film that brings a strong first love story.
Remember when there was this amazing comedy titled "National Lampoon's Vacation"? To this day, it is a true classic of the genre and certainly put a new spin on precisely what KINDS of insanity could occur when taking the fam on the road. Then, like with so many successful films, there was the sequel (which for me was even MORE of a classic than the original!). However, the third film emerged....and then a fourth. Suddenly, the luster was gone and disappointment set in.
When the world lost Chadwick Boseman on August 28, 2020, we all saw the impact of representation in film. Boseman was not only a Black superhero leading a Black cast in one of the most successful films in history; but his successes paved the way for more, long-overdue diversity in Hollywood.
A homeless girl faces depression and uncertainty during the holidays.