“We Are Pat” (2025): Reclaiming a Controversial 90s Icon
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.

A couple decides to watch Big, a successful film released in 1988, starring Tom Hanks and directed by Penny Marshall, not once, but thirty times, sometimes accompanied by family and friends who come to their home to watch and discuss it.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
Spoiler Warning
(Disclaimer: Harmful Language) In celebration of Pride Month, Father's Day, and father figures (and whoever supports you), I revisit Moonlight's brief but spectacular character, Juan. With overarching themes tied to masculinity, I reexamine his intimacy with Little.
Films can alleviate alienation by presenting realities where the viewers feelings are shared by onscreen characters. 'The Little Mermaid" film can be interpreted as a transgender story.
Soul takes intangible concepts like self and personality and makes them completely palpable and simple to digest.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch