A period musical comedy set in a quiet Prague quarter at the end of the fifties. Using the western plot device of the "man from nowhere" a generation gap story unfolds of changing social climate. The action is driven by the character of a young man named Baby who causes a local rebellion by bringing rock'n'roll to a Communist neighborhood raised on swing.
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
On March 31st, International Trans Day of Visibility, following some COVID related delays, the trailer was finally dropped, and although Taylour Paige and Riley Keough look to impress as lead characters Zola and Stefani, a brief cameo from a queer icon was what convinced me I have to see this movie.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
When you first hear that there is a series on Netflix where the lead character’s wife dies from cancer and he becomes dangerously suicidal, you wouldn’t immediately assume that it’s a comedy.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
Here are some of our picks for inclusive Black love stories in film and media. We hope you enjoy these tender love stories and beautiful depictions.
