Ayako Kurimura, a new B.G. at Nitto Electric, becomes the object of affection for both her brother's colleague Kazuo Fukami and the flirtatious executive’s son, Hiroshi Tsuzawa. As office romances and corporate ambitions collide, relationships shift: heartbreak leads to new connections, old flames reemerge, and Hiroshi is ultimately disowned. Ayako helps him reunite with former lover Yoko, sending them off to Osaka while those around her find new beginnings.
Seiji Maruyama
Director
Yuriko Hoshi
Kyoko Kurimura (new BG employee)
Jun Funato
Taro Kurimura (Kyoko's brother, salaryman)
Akemi Kita
Kanako Ashio (bar waitress)
Kumi Mizuno
Setsuko Ono (BG)
Mie Hama
Taneko Matsumura (BG)
Takashi Inagaki
Hiroshi Tsuzawa (executive's son, playboy)
Tatsuo Matsumura
Executive Tsuzawa
Yōko Fujiyama
Kuniko Daido (daughter of major shareholder)
Kiyoshi Kodama
Yuzo Daido (Kuniko's brother, pianist)
Toranosuke Ogawa
Daido Sr. (Kuniko's father)
Fumiko Okamura
Mrs. Daido
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
Alfred Hitchcock’s 1960 film "Pyscho" is an American film classic that still resonates today.
Birds of Prey has some of the best stunt work and choreography of 2020, and was the most fun I’d had in an action film since John Wick 3.
“Jumanji - a game for those who seek to find, a way to leave their world behind...” A nostalgic classic that remains unnerving, "Jumanji" draws audiences into a chilling adventure.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
While prioritizing production value over substance, Flood depicts an emotionally taut family drama set during the farmland flooding of the Franco-Dutch war.