After high-school graduation, two teenage best friends from a sleepy desert town face radically different futures: while shy Luz is preparing for her scholarship at UCLA, Paloma must stay behind to take care of her 8-month-old baby boy. In the hopes of spending the last weekend together, happy-go-lucky Paloma insists on driving Luz to UCLA, even when she finds no one else can take care of her baby.
Never Have I Ever season 3 is charming and hilarious as it has been in past seasons and still sports a diverse ensemble cast. However, the show doesn’t always treat its marginalized characters that well.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
Miles Morales learns to be his own hero as he takes on the well loved mantle of Spider-Man in a multiverse of Spider-People.
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When most of us think about diversity in film, we usually think about three things: race, gender, and disabilities. However, there is a forgotten topic... age. These are 12 of the best films about growing old.
