Racism in A Second Chance: Rivals!
The sequel to the first film, A Second Chance: Rivals! talks about Maddy combating cyberbullying and racism.
Bezhin Meadow: Sequences from an Unfinished Film
Bezhin Lug (Bezhin Meadow) was to be a Soviet film about a young farm boy whose father attempts to betray the government for political reasons by sabotaging the year's harvest, and the son's efforts to stop his own father to protect the Soviet state, culminating in the boy's murder and a social uprising. Assigned to Soviet film-maker Sergei Eisenstein, the filming followed the same path as with his previous effort, "Que Viva Mexico", into cost overrun and over-shooting of footage. Furthermore, Eisenstein's usage of forbidden experimental film techniques outraged his government superiors, who ordered the film destroyed before it was even completed. All that survives are the first and last frames of each shot, preserved by Sergei Eisenstein’s wife, Pera Atasheva. The 1967 reconstruction, by Naum Kleiman of the Eisenstein Museum and Sergei Yutkevich of Gosfilmofond, places these frames in order, approximating the original film.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Bezhin Lug (Bezhin Meadow) was to be a Soviet film about a young farm boy whose father attempts to betray the government for political reasons by sabotaging the year's harvest, and the son's efforts to stop his own father to protect the Soviet state, culminating in the boy's murder and a social uprising. Assigned to Soviet film-maker Sergei Eisenstein, the filming followed the same path as with his previous effort, "Que Viva Mexico", into cost overrun and over-shooting of footage. Furthermore, Eisenstein's usage of forbidden experimental film techniques outraged his government superiors, who ordered the film destroyed before it was even completed. All that survives are the first and last frames of each shot, preserved by Sergei Eisenstein’s wife, Pera Atasheva. The 1967 reconstruction, by Naum Kleiman of the Eisenstein Museum and Sergei Yutkevich of Gosfilmofond, places these frames in order, approximating the original film.
Rating:
Genre:Drama
Written By:Sergei Eisenstein, Isaak Babel, Alexandr Rzheshevsky
In Theaters:
Box Office:
Runtime:31 minutes
Studio:State Cinematography Department
Cast
Sergei Eisenstein
Director
Viktor Kartashov
Степок
Boris Zakhava
Samokhin, Stepok's Father
Pyotr Arzhanov
Political Commissioner (as Pavel Ardzhanov)
Yelizaveta Teleshyova
President of Kolkhoz
Nikolai Maslov
Arsonist
Nikolai Khmelyov
Peasant
Stanislav Rostotsky
Boy
Yakov Zajtsev
Evgenia Bagorskaya
Vasiliy Savitskiy
Bearded man
Articles You May Like
Docunight Presents: Iranian Women's Stories
Four documentaries, now streaming on the Criterion Channel, embody the adopted slogan of the current protest movement: Woman, Life, Freedom
Indie Film Review “Good Side of Bad” Mental health issues, coping with them, and the necessary awareness to help those affected once more takes center stage with relentless intensity and purpose
The shattering of what we strive to maintain as reality. It is certainly truthful to state that most, if not all, of us have experienced moments of genuine mental stress. Regardless of what might be the cause, the sheer unsettledness, the pressure that weighs upon us is a tangible force that CAN seem insurmountable. However, more often than not, this is only a temporary , one we can come through and simply move on from.
‘Ms. Davis’ Close Friend’: Richard Schertzer’s Modern Reimagination of ‘The Seventh Seal’
'Ms. Davis’ Close Friend' will make you think about the meaning of death and what it means to be alive, and if there’s really a race to be run with one's inevitable demise.
Weapons: Smartly Entertaining, Deeply Disturbing
At 2:17 a.m., every child in a third-grade class wakes up, leaves their home, and disappears into the darkness—except one. The next day, teacher Justine Gandy discovers that Alex Lily is the only student left, while the rest have vanished without a trace. Did Justine have something to do with it, or is a far more sinister force stalking the town, targeting not just children, but anyone in its path?
"Mercy" is a Pro-AI Sci-Fi Thriller that Barely Makes Sense
Even without the messaging, Mercy does not hold up as a movie. It's sloppily done and the mystery doesn’t tie together at the end.