The Drama: A Marriage of Discomfort and Empathy
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.

Mas alla de los Gritos (Beyond the Screams) is a 1999 documentary film featuring the Latino/Chicano punk movement from the late 1970s up until the early 1990s. Martin Sorrondeguy, singer of hardcore punk bands Los Crudos and Limp Wrist, and a prominent figure in both the straight edge scene and the queercore scene, illustrates the repurposing and remixing of punk music in the major Latino cities on the U.S. This one of a kind documentary sheds light on the political D.I.Y. philosophy which aims to empower youth to emancipate themselves from society's oppression. The film is composed of interviews and live performances. The film focuses on the struggle of Latino/Chicano against globalization, poverty, and identity.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
In Saudi Arabia, a little girl (Wadjda) is told she can't have a bike because she's a girl. Wadjda struggles to obtain a bicycle to race her friend, Abdullah, due to the gender inequality and cultural norms of Saudi Arabia.
Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.
Four more classic horror films that are entertaining even if occasionally absurd.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.