
A big-time businessman throws in the towel on his company and high-tails it out to Bali just as its stock is about to be publicly offered. There, he tries to avoid the insistent phone calls coming from Manhattan and records his philosophical ponderings about this mid-life crisis on videotape. Before long, he is partying with another burnt-out businessman and avidly avoiding the attentions of colleagues who have come to Bali to try and get him to come back to Manhattan.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
Many have interpreted Maya Deren’s Meshes of the Afternoon as a dream sequence, but what if the repetitive scenes we are given are not dreams but, a time loop.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
This Japanese Anime movie is about Kanna, a young girl who sets on a quest across Japan to discover her true identity.
Miley Cyrus shares her struggles as a songstress with a young audience, all while staying upbeat for the Disney brand.