“Forbidden Fruits” (2026)
Not every film can make a shopping mall feel both magical and menacing, but Forbidden Fruits challenges that.

Bina (46), religious woman from Jerusalem, arrives panic-stricken at the hospital after her son Oliel (25) was severely injured in a stabbing attack. This is the first time she sees him since he became secular and lost contact with the family. Her husband, Meir (50) comes later only after their daughter Ester’s (28) insistence. At the hospital, Bina meets Amal (24). While Meir searches for answers to revive Oliel, the two despondent women bond with one another. However, Amal hides a secret from Bina and Meir. While waiting for Oliel’s revival, they will learn about truth, faith, understanding, acceptance, and love that can and maybe should replace fear of the unknown.
Not every film can make a shopping mall feel both magical and menacing, but Forbidden Fruits challenges that.
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The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
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