'Don't Make Me Go' — A Basic Story With The Year's Most Heartbreaking Ending
'Don't Make Me Go' is what you would expect, Wally and her father, Max, clash tremendously and don't understand each other. Although, it's very heartwarming.

Jisoo is a medium who comforts wandering spirits. She visits the parents of a Catholic, who cut off their relationship after Jisoo taking a medium role for her life, to hold her sister’s memorial ceremony. Jisoo's mother, who strongly believed that Jisoo was used in evil spirits, suddenly asks Jisoo to talk to her dead eldest daughter.
'Don't Make Me Go' is what you would expect, Wally and her father, Max, clash tremendously and don't understand each other. Although, it's very heartwarming.
I have talked with founder of Red Nation Television Network, Joanelle Romero, and the future of Indigenous representation looks bright.
Films and TV series often tend to misrepresent or not acknowledge bisexual characters, but recent trends show that bi-erasure is now under deserved scrutiny. So, I’m genuinely happy about the direction bi-representation seems to be taking.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
Mr. Malcolm's List is a pleasant promenade through a fantasy Regency-era England filled with people of color. For fans of Bridgerton, this is the PG version of the show, but with completely colorblind casting and a much lighter tone.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.