‘My Big Fat Greek Wedding 3’ is a VICTORY for queer representation
Scene-stealer Melina Kotselou brings infectious queer joy and non-binary representation to the third installment of Nia Vardalos' 'My Big Fat Greek Wedding' franchise.

Between the Lines examines the "invisible mechanisms" that control and contextualize media information. Analyzing a news report to demonstrate how facts are mediated by television's limits, Muntadas focuses on the role and responsibility of the reporter — the person between the facts and the audience. Following a reporter for WGBH-TV, Boston, as she covers a meeting between Mayor Kevin White and a community development group, Muntadas observes the decisions, selections, schedules and editing that determine how the "news" is transmitted on TV. He states: "When we say we are 'reading between the lines' we are completing information from the text with our own process of thinking, knowledge, information, subtlety. With television, words and images are experienced together; there is no time to stop and think while we absorb information from a moving image." - EAI
Scene-stealer Melina Kotselou brings infectious queer joy and non-binary representation to the third installment of Nia Vardalos' 'My Big Fat Greek Wedding' franchise.
The Olivia Wilde renaissance is upon us.
I hope that more people will see Joyland, understand the situation, and eventually change themselves and society so we can have a more accommodating world where everyday tragedies like the one depicted in the film do not occur.
The 92nd Academy Awards had many strong contenders for best animated short. But which Oscar nominated short wins for diversity and inclusion?
"A Drowning Man" (2017) explores the unseen aspects of the Refugee Crisis. In, 15 far-too-short minutes, viewers are given a detailed snapshot of what it's like for a refugee to drown in the waters of poverty and otherness while trying to navigate a land whose promise has worn off, and only 'strange' remains.