Anya has been dating Trent for the last two miserable years and thinks she is stuck with him forever. That is until she meets flirty waiter Eva and her world turns upside down. Anya finally feels what it’s like to be cared about, and discovers feelings she’s never had before. Overwhelmed with her feelings, Anya must decide if she’s willing to step out of her comfort zone for a chance at a happy ending.
An uncomplicated, family-oriented man struggles to adjust to an ever-changing world, especially after suffering a loss. Even for the early 1900s, a less complicated time in many ways than now, Robert Grainier (Joel Edgerton) is a simple man.
People are so much deeper and far more extraordinary than what gender they were assigned at birth.
"His Girl Friday" set the bar for romcoms and gave us a feminist heroine before feminism was cool.
By depicting 4 different stories, Director Sergio Tovar Velarde keeps the focus on the shared humanity and search for love (both self and romantic) of various gay Mexican men.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
Movies also have the ability to make the audience think deeper about an issue that plagues society. "Blindspotting" does that without shying away from the intense reality of police brutality and racial discrimination.
