Pretty Lethal (2026): When Ballet Turns Brutal
You've heard the phrase “If looks could kill,” but have you heard “If dancing could kill?” Pretty Lethal takes that idea and runs with it.

When Bernard King arrived at Knoxville, he was only the third African-American ever to play for the Vols' varsity team. By the time he left he was a legend. Along with talented teammate Ernie Grunfeld, they gained national acclaim as part of what was known as "The Ernie and Bernie Show." Director Jason Hehir follows King's strict upbringing in Brooklyn, New York, the challenges he faced at the University of Tennessee, and the obstacles he overcame in the NBA as he looked to live up to the promise of his college career.
You've heard the phrase “If looks could kill,” but have you heard “If dancing could kill?” Pretty Lethal takes that idea and runs with it.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
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