
During the COVID-19 pandemic, photographer and filmmaker Carel van Hees (2KM2 - het heden van de stad, IFFR 2006) is forced to turn his apartment in Rotterdam's RVS flats into his own little world. The apartment, originally built as a home for working single women, is also known as the Hunkerbunker (the bunker of yearning), now its residents' lives are confined to their units. On the tenth floor van Hees meets Gerarda van Nimwegen, a 106-year-old woman who hasn’t left her apartment for the past five years. During her long life she has survived many crises, including the Spanish flu, the poverty of the interbellum and the bombing of Rotterdam – all this without losing her sense of humour. Berichten uit de Hunkerbunker is a loving tribute to a remarkable resident whose life has come to a halt in the apartment she’s lived in since the age of 44.
'Rag Tag' encompasses the diversity within the African Diaspora by showing London Nigerian men learning to regulate their emotions while navigating love and societal pressures.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
Americans love the British monarchy. This may seem confusing because only a few short hundred years ago they were our worst enemies, and every year we celebrate our independence from them. The Crown humanizes the monarchy, which might explain its popularity.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
Mala tripped over in a company Diwali party, which led to unexpected visits and realizations.