Don’t Give Disney a Pat on the Back for Doing the Bare Minimum
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.

Ben-Hurry (1959) dir. Richard Fontaine Apollo Films/Zenith Pictures/R.A. Enterprises made at AMG Studios (Bob Mizer's Athletic Model Guild) starring: Alan Parker, Bruce Reed and Joe Leitel "A comedy about three movie extras and the troubles each one gets into on the movie set of a six million dollar movie production." via: Richard Fontaine's Days of Greek Gods (2011) The Bob Mizer Foundation film archive: https://www.posingstrap.tv/videos/ra34-dvd21 http://www.bobmizer.org/
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
While prioritizing production value over substance, Flood depicts an emotionally taut family drama set during the farmland flooding of the Franco-Dutch war.
Diversity is incorporated in a way that only aids in a well-rounded conveying of stories through different lenses. The show’s success is a testament to what audiences are craving: authentic stories that broaden the mind and heart.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
"His Girl Friday" set the bar for romcoms and gave us a feminist heroine before feminism was cool.
I was able to sit down and talk with singer/songwriter Carson Lueders about his career in the music industry. We talked influences from country music to Pop, and his working relationship with Quavo from the The Migos.