Ben Gen 10 (2021)

Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.

A pop star at Radio City Music Hall gets the opportunity to change herself to save her music career.

Tired of being cooped up in their cages, the critters escape the Australian zoo and try to find their way to the outback.

The Olivia Wilde renaissance is upon us.

What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.

If you want to feel the rush, you have to take the risk.