The war in former Yugoslavia is suddenly on the doorstep of 16-year-old computer freak Rasmus when he meets and falls in love with refugee girl Belma. Belma lives with her father and other refugees on Flotel Europe in Copenhagen. One day Belma’s father recognizes one of his torturers from prison camp among the refugees on the boat. The executioner is attacked and Belmas father gets arrested. Rasmus and Belma must prove his innocence.
Though often underwhelming as a whole, Nevertheless is worth the watch because of the relationship between Sol and Jiwan. It is a stunning, refreshing take on the friends to lovers trope that LGBTQ media has been missing.
"His Girl Friday" set the bar for romcoms and gave us a feminist heroine before feminism was cool.
This reboot of The Wonder Years is told from the lens of a Black man.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.
