The Vampire Boy in Liar, Liar, Vampire
Liar, Liar, Vampire takes a bite out of clichés in romances between vampires and teenagers. Anything but boring and dripping with fun, it's a Halloween story with a twist.

Three misfits live peaceful lives of idleness and resourcefulness until the day a scam more lucrative than any other comes their way. At the same time, their wives are all threatened with dismissal. Panic ensues. The three men dread imagining their future lives, with their wives nagging them day and night and no peace and quiet. How far will our heroes go to preserve their modest happiness or to finally—perhaps—achieve a better life?
Liar, Liar, Vampire takes a bite out of clichés in romances between vampires and teenagers. Anything but boring and dripping with fun, it's a Halloween story with a twist.
A bond between a girl and her dog takes an unexpected twist as the dog is not what it seems.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.
An aspect of She-Ra that I find refreshing is even though a large portion of the cast is on the LGBTQ+ Spectrum, being gay is never mentioned. While this might initially sound like a negative thing, in the show’s land of Etheria being on the gay spectrum is shown to be so common and normalized that straight isn’t the default. As much as there is to appreciate about narratives revolving around the obstacles that may come from being non-heteronormative, it’s nice to get immersed in a world where no one bats an eye at all to any sort of differing identity.
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.