Yara (2021): An Unfocused True Crime Narrative
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.

Kosuke Nitta has been toiling away on a 50th anniversary DVD box set of the classic anime TV series Humanoid Monster BEM. While hunting for a new special feature to attract more buyers, the timid advertising employee finds himself falling into the maw of madness after he discovers the original cut of Bem's final episode. At the same time, a tragedy has left a local high school reeling in the aftermath. What's the connection between these harrowing events? A mysterious girl by the name of Bela.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.
Eventually, “Hobbs and Shaw” introduces us to a Samoan community. Clearly, Johnson’s Samoan roots are on display. Quite frankly, I found this section of the film very intriguing. The “Fast and Furious” franchise has a solid track record in the diversity department
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