“Leviticus” and Leviticus
Like most young people, Leviticus is imperfect. But I love it anyways.

An Iraqi comedy play from the 1990s, performed by a group of elite Iraqi actors, starring comedian Jassim Sharaf.
Like most young people, Leviticus is imperfect. But I love it anyways.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
Unknown Origins promises a cool spin on superheroes and serial killers, but ultimately delivers cheap comedy.
A brave Indian woman rises from an oppressive background to become an inspired leader for women and men alike around the globe.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
The whole family will enjoy these fantasy and science fiction stories about families and individuals connecting, finding true love, and discovering self.