“Dangerous Lies” is as Predictable as Can be
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.

Charlie is a troublesome 18-year-old who breaks out of a youth drug treatment clinic, but when he returns home to Los Angeles, he's given an intervention by his parents and forced to go to an adult rehab. There, he meets a beautiful but troubled girl, Eva, and is forced to battle with drugs, elusive love and divided parents.
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.
As an extremely avid fan of DC’s animation, I’ve become familiar with the way the studio uses Batman as a bit of a Trojan Horse to introduce some of their lesser known characters.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
I first saw Dear Evan Hansen on the Broadway stage. Apparently, I was so blown away by the magic of theater that I didn’t pick up on the questionable dynamics. The story's clumsy handling in the movie brought those issues to light.
A trio of girls form a band and enter a singing competition together after learning they work best as a team.