Behind The Scenes
Behind The Scenes is a Kannada anthology film that tells five distinct stories, each directed by a different filmmaker: Prajwal MRs Baanigondu Elle Ellide, Sai Shrinidhis Coffee, Cigarettes and Lines, Kuldeep Cariappa NMs Hero, Rajesh N Shankadhs Blockbuster, and Apoorva S Bharadwajs SuMoha. Together, these narratives explore the deep influence of cinema on the lives of both creators and viewers, showing the sacrifices, dreams, and challenges filmmakers, actors, and crew members endure.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Behind The Scenes is a Kannada anthology film that tells five distinct stories, each directed by a different filmmaker: Prajwal MRs Baanigondu Elle Ellide, Sai Shrinidhis Coffee, Cigarettes and Lines, Kuldeep Cariappa NMs Hero, Rajesh N Shankadhs Blockbuster, and Apoorva S Bharadwajs SuMoha. Together, these narratives explore the deep influence of cinema on the lives of both creators and viewers, showing the sacrifices, dreams, and challenges filmmakers, actors, and crew members endure.
Rating:
Genre:Drama
Written By:Apoorva Bharadwaj, Sai Shrinidhi, Kuldeep Cariappa, Prajwal M Raja
In Theaters:
Box Office:
Runtime:150 minutes
Studio:
Cast
Articles You May Like
'Slanted': If You Can't Beat Them, Be Them
A dynamic journey of self-acceptance and identity.
Pretty Lethal (2026): When Ballet Turns Brutal
You've heard the phrase “If looks could kill,” but have you heard “If dancing could kill?” Pretty Lethal takes that idea and runs with it.
‘Cursed’ is Struck with a Bland Curse
Cursed is based on Frank Miller’s graphic novel, and is a retelling of the Arthurian legend with a twist. Instead of King Arthur gaining Excalibur, a teenage sorceress named Nimue (Katherine Langford) does. Her people — the Fey — are being hunted down, and so Nimue will do whatever it takes to save them.
'Meshes of the Afternoon' Enters the Realm of Sci-Fi
Many have interpreted Maya Deren’s Meshes of the Afternoon as a dream sequence, but what if the repetitive scenes we are given are not dreams but, a time loop.
Hitchcock's Subtextual Coding in 'Rope'
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.