'Swan Song' is a Scattered But Sincere Story of Small-Town Redemption
Udo Kier takes center spotlight in 'Swan Song' as Pat Pitsenbarger, a gay beautician who comes out of retirement for one last job and rediscovers himself along the way.

In the elevator of two large Parisian buildings, a telegraph operator discovers the body of an elderly woman, Madame Mathieu, the owner of both buildings. Boucheron, the local superintendent, is dispatched to investigate, along with his rival, Inspector Lambert of the "Sûreté". To solve the enigma, they scour staircases and corridors, visiting every floor of both buildings, courtyard and facade. Their gruff rivalry allows them to complement each other in discovering who committed the crime among a gallery of characters, humble or rich, who all have something to be ashamed of... A rare, fast-paced, picturesque comedy set against the backdrop of a police mystery.
Udo Kier takes center spotlight in 'Swan Song' as Pat Pitsenbarger, a gay beautician who comes out of retirement for one last job and rediscovers himself along the way.
Moonlight is a film that will certainly be remembered for how it won Best Picture, but the movie itself should be known for its excellent representation of one of the most underrepresented groups in film: Black, gay men.
It is as bad as your remember, and you are fortunate if you've never watched it. Keep it that way!
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
It’s easy to dismiss Joel and Ethan Coen for writing from the world they build from outside the box of overarching Hollywood stereotypes, but their inability to compromise their collective vision is precisely what makes the simplistic nature of their world-building and characters so brilliant. It’s also what led Fargo to collect seven Oscar nominations and two wins for Best Original Screenplay and Best Actress for Frances McDormand’s brilliant portrayal of the sincere, motherly detective whose wholesome demeanor seizes the day over the selfishness, corruption and evil of the men who don’t comprehend that there’s more to life than a little money.
With such a raw look at the 15th century, it seems that Disney was really trying to step outside of its element with this motion picture.