New Movie Releases: April 2021
With the start of the new season we're excited for all of the April new movie releases, some of which our writers here will cover in individual reviews throughout the month.

So-yeon, who has been studying in Paris for several years, returns to Seoul for summer vacation. She is drawn to Min-hwan, a divorced man whom she met in Paris, but Min-hwan is non-committal and ambiguous about his feelings toward her. Soyeon meets a new guy, Hyun-jae, who is deeply into her, she Soyeon still waits for Min- hwan`s call. She laboriously travels from Seoul to Busan, lugging around her luggage, just so that she can see Min-hwan. After the vacation is over, So-yeon returns to Paris. Even with a full package of beauty and intelligence, So-yeon has no place of her own. In Korea that is familiar but unfamiliar land to her, she spends the summer in bearing her feeling, which is not too hot, yet not negligible. Before the Summer Passes Away is the film about loneliness and longings: it is too shy to roar, too powerful to hide. With minimal narrative, the film shows a close observation on So-yeon`s sense of lose at the edge and her unending desire.
With the start of the new season we're excited for all of the April new movie releases, some of which our writers here will cover in individual reviews throughout the month.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
Complex relationships between mothers and daughters are far from a new concept, whether the strain comes from abandonment, beliefs, or trauma. In My Only Wish, an Incluvie Film Festival submission, Brenda Gutierrez’s take on her character’s maternal divide comes in the form of abandonment.
Cord Jefferson's hilarious and thought-provoking film continues a long-standing cinematic tradition, expanding the conversation around the impact of systemic racism in today's media.