An opera singer hides an American soldier in his house in Nazi-occupied Rome.
On the Road captures the bleak, hyper-masculine world of long-haul trucking in Northern Mexico, where anything can and will happen. A hard-boiled, neon-noir romantic thriller, it shows the gritty reality of roadside diners, truck stops, and truck cemeteries alongside the expansive, breathless beauty of the Mexican desert highways.
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
Tara Thorne’s film is equal parts emotional and comedic, illustrating the beauty and the pain of long term relationships.
An apocalyptic tale captivates the nation as it teaches us to love even in the hardest situations.
A pampered dog who gets lost and has to learn to live on his own while being flexible with surroundings.
