No Other Choice: Killing for the Family at the Age of Obsolescence
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.

Before follows a group of not-yet-humans in an eerie and exhausting waiting room. Like an eternal DMV visit, every visitor in this room has waited for thousands of years for their number to be called to be assigned a life on Earth. Some are anxious, some are hopeful, and others are defeated by impatience before their earthly lives have even begun.
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.
Wacky antics ensue when a 100-year-old Jewish man wakes up from a pickled hibernation in the modern world.
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.
Cassie, a musician, and Luke, a man serving in the Marines, form a false relationship and keep it a secret.
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.