Sir András Schiff performs Beethoven’s dramatic Piano Concerto No.1 on a stunning model of a historic 1822 fortepiano. Schiff describes Piano Concerto No. 1 in C major, Op. 15 from 1795 as “absolutely huge in its concept for that time. I've always thought that there's something Shakespearean about Beethoven in the way comedy, tragedy, drama, and tenderness are all present at the same time.” Filmed in black and white, this concert is a beautiful showcase of craftsmanship and musicality. Schiff sits at a period-accurate recreation of a historic 1822 fortepiano crafted by Conrad Graf. He is joined by The Orchestra of the Age of Enlightenment for a captivating, historically informed, performance. This concert was filmed on 6 June 2022 at Southbank Centre’s Queen Elizabeth Hall in London.
While it is more than established that Halston’s life is far from a fairytale, the narrative suffers as a result of the decision to revolve more around sex and drugs than his artistry, it likely does a disservice to his cultural impact by pulling focus from his achievements.
Joel Coen has gone solo to create perhaps the greatest version of Shakespeare's 'Macbeth' since Shakespeare himself.
Documented human suffering is never easy to view or read about and is understandably triggering for many people, but it can be educational, and education is a key to change. An overwhelming amount queer people worldwide (and in my own country) have it far worse than I could imagine, and documentaries such as Welcome to Chechnya bring issues to light that certain groups of people would never see.
Darren Arronofsky focuses on diverse and heartbreaking stories about the human experience.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
'Blonde' commits a relentless assault on the autonomy of Marilyn Monroe, reducing the icon to nothing more than a victim of the director's whims.
