Girls Will Be Girls In "Whale Rider"
People are so much deeper and far more extraordinary than what gender they were assigned at birth.

Haunted by an abusive childhood, Audrey, a Korean American woman in her 30s, faces her emotional past. When her mother’s car accident brings her back to her parents’ home, she meets the man responsible for the accident. Their relationship builds, passions ignite, and they form a loving connection.
People are so much deeper and far more extraordinary than what gender they were assigned at birth.
The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of promise. Her feature debut as a director, an adaptation of Lidia Yuknavitch's critically acclaimed 2011 autobiographical memoir, is fully immersive, mesmerizing, and impressive.
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
Slumber Party Massacre is a gory film with just enough commentary on sexist excuses, the validity of women's voices, and the inherent feminism of the slasher.