When they say “love is blind” they must have been talking about Amy and Ben. Amy is a beautiful young woman with a mysterious past. Ben is a scruffy slacker, whose only ambition seems to be avoiding growing up. However, Amy sees something in Ben that Ben doesn't see in himself, which gives Ben the confidence to make something of his life. The power of love shows Ben that being a grown-up isn't such a bad thing after all.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
Bollywood's thrilling fusion of what the blind man saw and the boy who cried wolf.
Soul takes intangible concepts like self and personality and makes them completely palpable and simple to digest.
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.
This holiday movie serves as the prequel to the TV series The Really Loud House.
Lady Bird (Saoirse Ronan) tells her mother (Laurie Metcalf) that she wants to live through something — something that matters.
