Strangers on a train. Late in 1916, a brave and idealistic Russian officer in his 20s comes to his superiors' attention when he stands up to Rasputin at a nightclub. He's asked to carry important papers from Petersburg to Stockholm by train in the dead of winter, a dangerous mission. The first-class carriage may be full of spies, and soon after the train embarks, the man in the next compartment searches Obozow's luggage. A beautiful stranger approaches him, a woman older than he, on a concert tour; a game of cat and mouse ensues with patriotism and emotion sometimes on opposite sides. Can Obozow consummate the affair, reach Stockholm, and maintain his ideals?
When most of us think about diversity in film, we usually think about three things: race, gender, and disabilities. However, there is a forgotten topic... age. These are 12 of the best films about growing old.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
This remake of the Disney Channel Original Movie of the same name brings a strong representative cast.
With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.
J Brooke, Incluvie Guest Columnist on 'Life and Beth' and 'Sort of': while living one’s truth is freedom, speaking it as a mandatory assignment can become captivity.
The quiet ache of guilt sitting at the dinner table, the silence after a truth is buried, and the way pain is passed down like a name.
