‘Malcolm & Marie’ Review: A Promising Premise With Disappointing Results
Sam Levinson's latest film can't keep up with the excellence of its performances.

Garbiñe Ortega, Artistic Director of Punto de Vista, came up with the idea of creating a collective audiovisual project in which several filmmakers would make a filmed letter addressed to another filmmaker they did not know personally and who was as far as possible from their own cinema. This is how THE LETTERS THAT WEREN'T AND ALSO ARE was born. The result is an exciting journey through their affinities, their admiration and their creative processes.
Sam Levinson's latest film can't keep up with the excellence of its performances.
What happens to an inseparable bond when love for competing morphs into competing for love?
The biggest highlight of the film is easily the performance of Andrew Garfield. In his days since hanging up his Spiderman suit, Garfield has routinely churned out great performances, and Mainstream is no exception. He proves that he is willing to try anything and go anywhere in a character.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
Films staring black transgender actresses/actors are few and far between, it’s refreshing to see a demographic represented in film that hardly gets any attention. This is especially important as the Black trans community has been shown in studies to face the highest level of discrimination amongst general trans and non-binary groups. That is why it’s so crucial that we amplify their voices through any way we can, storytelling being a great medium to do so.