'The Invisible Man' (2020): The Hiddenness of Domestic Abuse
The 2020 remake of 'The Invisible Man' explores the hidden nature of domestic violence with a classic sci-fi character.

Professional safecracker Fancy Charlie breaks into the apartment of G.B. Lawson, a criminologist, and mistakenly believes that he has robbed a fellow safecracker. Out of "professional courtesy" he informs Lawson of what he has done. Instead of calling the police, Lawson--who believes in the philosophy of "honor among thieves"--makes a deal with Charlie: to show Charlie that it's actually more profitable to be a legitimate businessman then a crook, he'll give Charlie some money if Charlie will use it to establish a legitimate business in the small town of Plumfield, and at the end of a year they will divide up whatever profits Charlie is able to make honestly. Charlie agrees, but soon discovers that things aren't going to be quite as easy as he thought.
The 2020 remake of 'The Invisible Man' explores the hidden nature of domestic violence with a classic sci-fi character.
A story of a magical dragon brings great representation for Chinese culture.
A reboot series based on the popular original Nick teen sitcom of the same name.
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.
The sequel to the first film, A Second Chance: Rivals! talks about Maddy combating cyberbullying and racism.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.