Paula is a circus performer married to the alcoholic clown-acrobat Lorio. Lorio's heavy drinking leads to him being severely injured during a performance. This forces Paula and the now-crippled Lorio to become street musicians. This film formerly ran to 81 minutes – regrettably, the second half is considered lost.
Pyotr Chardynin, Cheslav Sabinsky, Vyacheslav Viskovsky
Director
Vera Kholodnaya
Paula, Lorio's partner
Pyotr Chardynin
Lorio, Musik-Clown
Konstantin Khokhlov
Olekso Presvich, a hypnotist and illusionist
Ivan Khudoleyev
Prakhov, a merchant
Vladimir Maksimov
Volyntsev, an artist
Yanina Mirato
A lady of the demi-monde
Vitold Polonsky
Telepnev, a rich gentleman
Olga Rakhmanova
Volyntsev's mother
Ossip Runitsch
Zaritskii, a barrister
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
In season 2 of “Never Have I Ever," Devi make many mistakes in a messier season that explores the complex lives of its diverse cast more in-depth than before.
This little Netflix film was very inspirational. It passes the Bechdel test, and features a different worldview with rural Indian representation.
Korean pop culture has mastered emotions as both a scientific field and an artistic revolution. Think of how K-Pop and K-Dramas have taken over the world. How? Simply put — they are addictive. How are they addictive?
Knives Out doesn’t just defy the whodunit narrative, it uses the weaknesses to its advantage. It’s well aware of the genre’s faults and tropes