'Venom: Let There Be Carnage' Is a Gay Love Story and I'm Here for It
Yeah, sure, the movie’s about Carnage. But it’s really about love. A love that defies all odds: the love between a man and his man-eating alien symbiote.

When his ex-con brother, Chris, enlists his help on a break-in, Duncan Fitzpatrick doesn’t know what to do. He’d agreed to run away with his brother, but only under the belief that he had turned over a new leaf. Now stuck, waiting in the car for his brother’s return, Duncan grows restless as his brother breaks into a mysterious suburban home. There’s only one problem with Chris’s plan; someone else is in the house. As the hour grows late, Duncan enters the house, only to discover how truly lost his brother has become.
Yeah, sure, the movie’s about Carnage. But it’s really about love. A love that defies all odds: the love between a man and his man-eating alien symbiote.
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.
This thrilling film about feminine rage and male hostility is an incredible depiction of the fragility of the male ego.
With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.
‘Run Sweetheart Run’ has everything women fear the most, from psycho boyfriends to tampons.