
Fighting as a partisan in the mythical Baltic past and in wars in 20th century Eastern Europe at the same time, Baņuta’s life is saved by weary and disenchanted Lithuanian prince, Daumants. Speeding away on a motorcycle, he brings the fighter back to his homeland in Romove, a holy Baltic site. There is about to be a wedding, but the preparations are interrupted by ravens. Their black feathers are a mirror for Daumants’ conscience and act as a reminder of his crime against Jargala, a girl he raped and killed. Soon Daumants falls in battle, and being a stranger in Romove, Baņuta is caught up in sacrificial rituals and revenge. However, she is strong-willed and will not bow to fate – no one will take her happiness away. A hundred years after the premiere of Alfrēds Kalniņš’ first Latvian opera Baņuta in 1920, comes the opera film Baņuta – an international project that melds opera, musical performances, the conditionality of the performing arts and contemporary performativity.
Suppressed intergenerational family trauma and healing, warm welcome to the Marvel Cinematic Universe team, and Awkwafina's humor really make this film the real MVP.
Trolls: World Tour doesn’t just pay lip service to diversity and inclusiveness. There is no white-washing of the voice actors. From the actual K-Pop group Red Velvet voicing the K-Pop Troll bounty hunters to Keenan Thompson playing the Tiny Diamond baby to Kunal Nayyar’s Guy Diamond, the cast includes more than just token minorities.
'Playing with Fire' was clearly a film made for a kid or tween-ish audience. Keeping that in mind, I thought 'Playing with Fire' was alright, though it did portray some harmful stereotypes.
‘Run Sweetheart Run’ has everything women fear the most, from psycho boyfriends to tampons.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.