Daddy Shark: 45 Years of “Jaws”
As a cultural touchstone, Jaws has launched a thousand parodies, tributes, and memorable quotes.

Tawi (49), a squirrel in charge of the will of Sarmadin (45). Sarmadin is a retired saronèn artist who now sells homemade wine. He always told Tawi that if he died, he would bathe his body with wine and be accompanied by the beating of saronèn from the time he was bathed until he was taken to the grave. Sarmadin also asked that his sape sono' be slaughtered to celebrate his death. Sumrani (36), Sarmadin's wife, refused to carry out the will. Ke Dikram (52) who is a kyai also argues that this will is against tradition and shari'ah.
As a cultural touchstone, Jaws has launched a thousand parodies, tributes, and memorable quotes.
Dramatic Horror!!! Wait, what?? Did you say "dramatic horror"?? IS there such a thing?? I mean, TRULY. Well, if San Francisco-based, Pakistani-born independent filmmaker Dr. Hassan Zee and this film critic have anything to say about it, there IS such a beast as experienced through the director's newest feature film set to officially debut October 4th in the City by the Bay. Folks, indie film will always be a bastion of experimentation and originality, and this film for me fits that bill.
In all honesty, “Black and Blue” is a satisfying experience, complete with solid craftsmanship. With the help of cinematographer Dante Spinotti, Deon Taylor (the director) creates a murky, lived in atmosphere.
'Ganja & Hess' is a 1973 experimental horror film, written and directed by the visionary auteur Bill Gunn. It was meant to be a straightforward blaxploitation film – but director Gunn had grander ambitions.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.