
Antonio's first day as a thief is marked by tears. During an incursion at the mall, his mother is arrested. Some 20 years later, Antonio along with his two inseparable friends, after some minor robberies, take on a post office. Things don't go as planned.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
Holiday hijinks ensue when a recently separated couple are both accidently invited to same holiday celebration.
The major flaw of the series is that it’s hosted on Netflix and barely makes malicious comments about it despite being focused on the lives of people directly affected by the Capitalist mentality of the OTT corporation.
The 'Shaft' remake fails to capture blaxpoitation's rebellious spirit.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.