"Opus" Is Fun But Doesn't Know Its Own Motivation
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.

A quiet drama about a lonely, sad, middle-aged woman, Banalata, who has lived a solitary existence since her husband-to-be died the night before their wedding from a snake bite. Never having quite gotten over the tragedy, she rarely ventures out and is clearly very lonely. This changes when she agrees to allow a film production to shoot in a wing in her sprawling estate.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
Death on the Nile (1978) film mindless entertainment playing out on sets and wonders larger than the stakes, both of these films fail to live up to the hype of Agatha Christie's mystery. Check out cast & characterless controversy.
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The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
Hoppers is a fun ride with a deep message underneath. In true Pixar fashion, Hoppers explores the complexity of emotions and learning to be still in a world that demands fast progress. Through the main character Mabel, we are reminded what it is like to let ourselves feel big emotions. But also how not to be controlled by them.