Diaries and journals are okay for keeping tabs on cunny-quaking adventures, but the cuties of Barely Legal #34 know that video is the best way to make an awesome fuck last forever. Watch from every angle as out dynamic cover duo doubles up on man root for their snappy, filmed memoirs. A demure and exotic young honey with mouthwatering little mams isn't shy in front of the camera if there's a groovy trouser snake for her to play with. Like the ultimate PBS documentary, Barely Legal #34 catches sassy babes in their natural habitat - and then brings them right to you.
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
In My Octopus Teacher, documentary filmmaker Craig Foster models healthy masculinity by showing us a trusting, gentle, and emotionally fulfilling bond with an octopus.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
