Monster (2023): When the Truth Is Not in the Telling but in the Seeing
Not every silence is empty. Some are filled with things too heavy for words.

Filmmakers, writers, and photographers have dissected her from every angle. Because she is a myth, and always will be. we have examined the life of Brigitte Bardot through a dimension of her life that she displayed and championed: love. Because her frenetic quest for love reveals her, in the midst of her glory and her wounds, better than any linear biographical account. Her life—her childhood, her many lovers, the love-hate relationship the public felt for her, her ties to cinema—her entire life can be read through this prism. An exceptional 111-minute documentary about the woman who remains the unrivaled French star. The absolute icon who was one of the most loved, admired, criticized, and scrutinized women on the planet. And who, for twenty years, until she abandoned cinema to dedicate herself to animal rights, inspired a mixture of hatred and adoration.
Not every silence is empty. Some are filled with things too heavy for words.
“There’s always something you can do…to make people feel like they’re welcome”
Since Season 2 of Peacemaker is currently airing, let’s revisit the movie that started it all.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
If your upbringing was anything like mine, where the TV acted as an additional parent- there are so many new stories and perspectives to explore.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.