What We Do in the Shadows (of Our Closet Walls)
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

Robbie, a divorced Amsterdam commoner, is meanly denied access to his son Tommi, except for monthly visitation. He grudgingly accepts when a loan shark offers to scrap his debt and throw in some cash for a simple service. Robbie must simply trick Marius, a man he never knew, to the port for a fictitious job. As he gets to know Marius, he starts feeling for the generous sociable type. His conscience wants him to warn the mark he's likely to be beaten up.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
James Cameron’s The Terminator (1984) marks the beginning of a wonderful two-part arc, brimming with style and substance. The film follows Sarah Connor, a waitress living in Los Angeles. One night, a cybernetic organism (Arnold Schwarzenegger) is sent back in time to kill Sarah. A human resistance fighter (Michael Biehn) is also sent back in time, with the intent of saving Sarah from this deadly foe.
The [SPOILER-Free] story of Jurassic World: Dominion is that the humans never learned from their mistakes from the previous films, science is still running amok, and the world is paying the price.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
Disney+ recently released six short films entitled the “Launchpad” collection in which diverse directors tell diverse stories. These shorts are exactly the kind of films we here at Incluvie want to see more of. These are stories of intersectionality, inclusion, and diversity. And every short stars a cluvie!