Twin Peaks: Why LGBTQ Ally Depiction is Crucial
Portraying how easy it is to be an ally heavily benefits the majority audience. The more we encourage it, normalize it, and give people the tools to become one, the sooner we can co-exist peacefully.

For thirty years, Karl Achilles has been working at the chemical collective in Bitterfeld. But now his last day as a master at the plant has come. He is about to retire; even if Karl, who finds ending his working life difficult, wanted to stay on, it would not be possible. Karl’s colleagues have arranged a farewell dinner for the retiring master at an outdoor restaurant. But on his last day of work, before the farewell dinner, he meets all sorts of people: both colleagues and people, who do not work at the plant. A mosaic of the biography of a person who found fulfilment in his work and now has to look for the meaning of his life anew.
Portraying how easy it is to be an ally heavily benefits the majority audience. The more we encourage it, normalize it, and give people the tools to become one, the sooner we can co-exist peacefully.
‘A Good Person’ makes it clear that forgiveness is hard.
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