Media as the Evil in Eddington
Eddington attempts to capture how media is intertwined with the uncomfortable present.

A documentary by Hassan Bani Hashemi about Bandar Abbas and the Persian Gulf in the 1350s (1970s). A calm and observational film that captures the coastal life, natural landscapes, and local culture of southern Iran.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
Frozen II is not quite direct to DVD Disney sequel level, but if it wasn’t for the spellbinding animation and budget, it certainly would be.
For a troubled teen, Will discovers what is important in life when he attends a summer camp: the people who care about his well being.
There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.
A 3D animated film centered on chasing fame in the humble stomping grounds of middle school. Unfortunately, while the protagonist dreams big, the plot falls short and fails to capture even a semblance of diversity.