Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Band of Brothers poster

Band of Brothers 

Emil and his brother, Stanko, have something in common: they both remember a terrible event that happened when they were children in Montenegro. Both are now immigrants in France: Emil moves in with his friend Gabrielle, while Stanko attempts to climb the ladder on the fringes of lawfulness, in the world of gambling and cock fighting. Anna, their mother, who has never forgotten her home country, dreams of going back to Montenegro as a family. The arrival of Larkos, their uncle, who has finally been released from prison and is over the moon to be reunited with his first love, will catalyse events and the inevitable confrontation...
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Emil and his brother, Stanko, have something in common: they both remember a terrible event that happened when they were children in Montenegro. Both are now immigrants in France: Emil moves in with his friend Gabrielle, while Stanko attempts to climb the ladder on the fringes of lawfulness, in the world of gambling and cock fighting. Anna, their mother, who has never forgotten her home country, dreams of going back to Montenegro as a family. The arrival of Larkos, their uncle, who has finally been released from prison and is over the moon to be reunited with his first love, will catalyse events and the inevitable confrontation...

Rating:
Genre:Drama
Directed By:Sylvain Labrosse
Written By:Stéphane Schoukroun, Aurélien Deschamps, Sylvain Labrosse, Agnès Caffin
In Theaters:
Box Office:

Runtime:81 minutes
Studio:Oriflamme Films, La Vie Est Belle Films Associés, Paris Brest Productions, Coficup, Planétarium

Articles You May Like


"The Father" is a Depressing But Insightful Look at Dementia

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Matt Geiger