Death arrives in a small town in the south of Guatemala City, with the mission of taking three people with her: a boy lost in a hill, a young woman adrift, and an old writer who always dreamed of being a filmmaker. An essay that presents three short stories about Death and how living in this world makes her more human.
A lonely little Hawaiian girl and her mischievous blue alien friend form a bond that heals both of their hearts, as well as ours. This live action version adds emotional nuances—notably in the sisters’ dynamic—while preserving the charm of the original.
Not every film can make a shopping mall feel both magical and menacing, but Forbidden Fruits challenges that.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
Rip Tide is a coming-of-age film that teaches viewers about finding yourself and reconnecting with surroundings.
This magical reboot introduces a new set of Charmed ones, much to the ire of fans of the original series.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.
