Why Wish and similar Disney films don't work
Disney movies have taken a bit of a downward turn recently. How come?

Baltimore Orioles Legends: Cal Ripken Jr. Collector's Edition captures one of the most electrifying moments in modern television: Ripken's breaking of one of sport's most unbreakable records, Lou Gehrig's streak of 2130 consecutive games played. The irony is that the record itself is not that exciting--just carrying your lunch pail to work every day--and barring some bizarre weather event or freak injury, everyone knew it was going to happen at Camden Yards on September 6, 1996, and the game unfolded pretty normally, other than guests such as Earl Weaver arriving in the broadcast booth to ramble about Ripken. But as soon as the game became official and Ripken grew tired of basking in the applause, he took an impromptu victory lap around the stadium slapping hands with the fans, and the ESPN broadcast crew had the rare insight to stay silent and let the moment speak for itself.
Disney movies have taken a bit of a downward turn recently. How come?
In Stowaway, director Joe Penna narrates the story of a starship crew (Anna Kendrick as Zoe Levenson; Toni Collette as Marina Barnett; and Daniel Dae Kim as David Kim) struggling with serious technical problems on a two-year mission to Mars. During the trip, they discover aboard the presence of Michael (Shamier Anderson), a stowaway who jeopardizes everyone’s life on board.
The major flaw of the series is that it’s hosted on Netflix and barely makes malicious comments about it despite being focused on the lives of people directly affected by the Capitalist mentality of the OTT corporation.
The more we learned with each passing minute the bigger the reveal. This film ends with a serious bang and it was truly a joy to watch.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
Wacky antics ensue when a 100-year-old Jewish man wakes up from a pickled hibernation in the modern world.